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  • Dener Ceide: The Radiant
    by Moses St. Louis

    "I'm in love with music, sounds cliché but so true, I am a guitar player, a music lover, I use melodies, meaningful harmonies, words and emotions to share my definition of love." This is how Dener Seide describes himself. HB had a chance to have a chat with the talented guitar player and take an...

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  • Katia Cadet: She's Boundless!
    by Moses St. Louis

    Nominated singer-songwriter Katia Cadet, earned her Grammy nod for co-writing the hit tune “911” performed by Wyclef Jean and Mary J. Blige. Subsequently called upon by A-list producer Salaam Remi to be a part of the writing team for the soundtrack of major motion picture Rush Hour 3, Katia...

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  • Nobody but Neefah!
    by Moses St. Louis

    Prior to launching her musical career Neefah got her start by auditioning for the Brooklyn High School of the Arts; a specialized arts school where she majored in vocal music. In addition she took Music Theory for she believes reading and writing music should be a very important factor in any...

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  • Interview with Miami Herald's Jacqueline Charles
    by Moses St. Louis

    Jacqueline Charles, was born in Grand Turk, the capital of the Turks and Caicos, as the only child to a Haitian mother. She was raised by her mother and Cuban-American stepfather.  She attended High School in Florida and went to the University of North Carolina where she earned a degree in...

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  • Professional Haitian Dancer- Jean Appollon: Defying the Odds
    by Moses St. Louis

      In addition to being the Co-founder and Artistic Director of Jean Appolon Expressions (JAE), Jean Appolon is a successful choreographer and teacher based in Boston and Port-au-Prince, Haiti. Appolon received his earliest training and performance opportunities in Port-au-Prince with the Lynn...

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  • Himane's Catherine Edouard Charlot: Fashion with a Purpose
    by Moses St. Louis

    On rainy days in New York City, it’s common to see broken umbrellas languishing in trash cans and littering the sidewalks — If you have a broken umbrella, do not throw it away, Catherine Edouard Charlot will make good use of it, she collects dead umbrellas and transforms them into handbags and...

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Lumane Casimir

When one thinks about Haiti's Music History, and pioneers who really have gave Haiti a true unique musical identity. The first name that comes to  mind is me. 

I was born in 1920, in a very small town in Gonaives. Not much is known about my early age. My known history began at the age of 13, when a pianist discovered my talent, and encouraged me to pursue music. At the age of only 14, I left Gonaives, moved to Port-au-Prince with nothing but a guitar, questing my dreams. It was my first time ever in a new city. A new city where I had absolutely no friends nor family members. Port-au-Prince, the Capital of the Country with the highest annual tourist visits in the Caribbean, was full with opportunities. Haiti  led the Caribbean Tourism at the time.   302.000 tourists from all over the world visited Haiti on the summer of 1970. (  139.000 by air, 163.000 by sea)  But It didn't take me too long to realize that life in Port-au-Prince, was not as easy for a teenager as I initially had thought it would.  I began my singing career, in the streets of Port-au-Prince, singing for money to survive. 

Many, like the aforementioned pianist, immediately took notice of my incredible talent and my upsetting, yet charming voice.  Before I knew it, I was singing with some of the most famous bands in neighborhoods around the capital and some well known national ones. Bands such as The Legba Choir, a folk group; The National  Folkloric Troop, Le Jazz des Jeunes, one of the most famous band at the time, and so many more respected artists. A singer with a striking talent like me,  never takes long to get noticed. 

I established myself  as a true diva, representing very well the title "Emperatrice of Haitian Music" that will be conferred to , decades after my death, when I was chosen as the honorary singer to sing at the Country's 145th years Independence Celebration, in 1949, in front of thousands of spectators from all over Haiti and the world. 

Many dignitaries of many different countries, and tourists  from all over the world  were at the Champ-De-Mars  enjoying the ambiance; the grandiosity of this celebration. I charmed every one with my  voice, my presence and with the elegance of the poetic and patriotic lyrics of my songs. Prominent magazines such as Newsweek, called me  "The Queen of the Meringues" Meringue in general, not just Haitian Meringue. 

In 1951, I mysteriously withdrew myself completely from the public's eyes, at the height of my career. Never  to sing again. Leaving many, shocked, I went on to live in a tiny room in Port-au-Prince in poverty until I died a couple of years later, 1955, at the age of only 35. 

Many believe that because of my quick rise fame, I battled with alcohol abuse, and just abandoned my career to drink. But this is just speculation. The true cause of my sudden disappearance and  ultimate death, was tuberculosis. The illness was so severe that I could no longer sing, or even be in public. A couple of years after my death, I became barely a memory in the Country. My repertoire includes some of the most well known patriotic and cultural songs of Haiti. Such as: "Panama mwen Tonbe, Caroline Acau, La Rivyè Mwen Te ye,  Papa Gede Bèl Gason" 

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