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HAITIANBEATZ
Keeps you on the beat 24/7
Haitian Female Artists Set the Vocal Bar in HMI, 2024-2025
Pierre Jean’s “Chef D’Ooeuvre”: A Smooth Alternative Album With Konpa Hints
Vanessa Desire “Full Package” Album Review (13 Tracks, Big Heart)
Rutshelle Guillaume’s “12 ERA” Arrives With 22 Tracks: A Rebirth You Can Hear
KLASS at Adidas Arena: They Came, They Saw, They Conquered (Full Review))
Paris Konpa Weekend: Klass Adidas, Diaspora Pride, and a City Ready to Dance
Djakout #1 Cancels All Remaining 2025 Shows After Thanksgiving Weekend
Will Haitian Female Artists Dominate the HMI in 2026? A Clear Path Is Emerging
Understanding Default Judgments in Trademark Infringement: The Case of “Zafem World Entertainment”
Is It OK for Artists to Break Grammar in Songs? The HMI Debate Around Rutshelle Guillaume’s “Determinée”
Rutshelle Guillaume “Determinée” Review: Sound, Meaning, and Vibe
30 Years of Rhythm: The Legacy of Nadia Dieudonné & Feet of Rhythm
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