Gabel’s ‘Infinity’ Album Review: Packed With Features, Does It Still Feel Like Gabel?
- Haitianbeatz

- Jul 8
- 12 min read

By Haitianbeatz
Gabel is back with their long-awaited album ‘Infinity,’ and music lovers are buzzing. There’s real hype here, not just about new songs but about the bold lineup of collaborations. Of the 13 tracks, 7 feature guest artists, which makes this feel less like a standard Gabel album and more like a star-packed event.
That’s a big swing for a band that’s still chasing its first true smash in the Haitian music industry. Listeners get strong vocals from both the group and their guests. The real question: will all these features help Gabel finally break through, or distract from the signature sound fans love? Let’s get into what makes ‘Infinity’ different and see if it delivers.
Track-by-Track Review of ‘Infinity’ by Gabel
Here’s a look at each song on ‘Infinity,’ breaking down the strengths of every track and calling out where featured artists shine. With half the album made of collaborations, there’s a wide range of voices and energy. Each song brings something different to the table, so let’s jump into the lineup and see how each one stands out.
Moun Dous
The album kicks off with “Moun Dous,” setting the mood with Gabel’s signature blend of catchy rhythms and smooth vocals. The hook feels inviting, and the arrangement is tight. This is classic Gabel—a strong start that gives longtime fans what they love.
Kle Paradi (Featuring Vanessa Desire)
Vanessa Desire’s feature gives “Kle Paradi” a new spark. Her vocals blend well with the group, layering a softer, soulful touch against Jean’s usual bounce. The duet format keeps the song fresh but doesn’t drown out the band’s core sound.
Selibatè
This is a feel-good, high-energy track that puts the spotlight back on the group. “Selibatè” lives up to its name with a danceable beat and catchy chorus. The upbeat message makes this one a strong contender for party playlists.
Dieu seul me voit
Slowing things down, “Dieu seul me voit” is full of emotion and depth. Flav delivers heartfelt lines, letting the lyrics and melody breathe. It’s a reminder that the band’s strength isn’t just in upbeat numbers—their slower songs can hit just as hard.
Ayisyen Pou'n ta ye (Featuring Roberto Martino and Shabba)
With Roberto Martino and Shabba on board, there’s a burst of energy from the first note. Each guest brings their own flavor, riding the beat with confidence. This anthem-like song celebrates Haitian pride, with all voices working in sync, even if it pulls focus from Gabel’s usual vocals.
Chwa
“Chwa” keeps things interesting with a pop twist. It’s catchy, with an easy chorus and lighthearted lyrics. While not the most complex song here, it serves as a nice palate cleanser in the middle of the album.
Gwo Lo (Featuring Saskya)
Saskya is one female artist that I really enjoy listening to. She has performed at a few of my live unplugged shows. Her appearance on “Gwo Lo” adds warmth and strength. Her powerful vocals lift the chorus, making the song stand out. This collaboration feels natural, not forced—both Saskya and Katalog shine on the track.
Let me (Featuring Mellysings)
Mellysings steps in with a smoother R&B style, giving “Let Me” a sweet and modern vibe. The blend of voices between Flav and Mellysings is balanced, and the song doesn’t lose Gabel’s distinct touch. It’s a chilled, romantic track with replay value.
Demisyon (Featuring Cubano)
Cubano brings a new texture to “Demisyon,” mixing his flow with Gabel’s catchy melody. It’s an honor to have a legend like Cubano featured by an active band, Most new bands usually ignores our legends, thinking they bring nothing new to the table in helping them reach new fans. Gabel made a bold move by connecting the new and the old generation, not ignoring the fact that a legend like Cubano (Jean Elie Telfort) pave the way for what we all enjoy today. The track deals with themes of frustration and letting go, backed by a steady groove. Cubano shakes things up but doesn’t overpower the core band.
Infinity (Close your mouth)
As the album’s title track, “Infinity (Close your mouth)” is playful yet bold. Gabel uses punchy lyrics and a tight arrangement to catch your ear. This song really drills in the idea that Gabel wants their voice heard—minus the noise.
Revanj
“Revanj” is packed with grit and determination. There’s a sharp edge to the lyrics and delivery, making it a standout even without a featured artist. This is Gabel at their most focused, tackling themes of payback and standing tall.
Hello
Simple, catchy, and easy on the ears, “Hello” works as a feel-good, radio-friendly single. It doesn’t stretch boundaries, but the hook is hard to forget. Fans looking for a lighter side of Gabel will enjoy this track.
We wa we'm (Featuring Steve J Bryan)
Closing things out, “We wa we’m” brings in Steve J Bryan for one last hit of variety. The interplay between his style and Gabel’s wraps up the album with a fresh twist. The track highlights the strength of collaboration, even if some fans may wish for more of Gabel solo.

Key takeaways:
The album plays like a collaboration showcase, mixing voices and styles.
Fun, emotion, and energy run through each track.
Hardcore fans may want more Gabel vocals, but few can argue with the strong guest performances.
The featured artists bring enough variety to keep every song fresh.
Every track brings something new, and while not every experiment is perfect, the group’s willingness to try different things is clear.
The Growing Trend of Artist Collaborations in Modern Music
Artist collaborations are everywhere in modern music. Turn on the radio, scroll your playlist, or check out any chart-topping album, and you’ll spot features up and down the tracklist. It’s no longer rare for an album to have a handful of guest stars—in some cases, it seems like the guest list is as important as the music itself. Gabel’s ‘Infinity’ is a clear example, featuring more than half its songs with outside artists.
What’s driving this shift, and how does it land with fans who want more of the core band experience? Let’s look at the pros, potential pitfalls, and what this trend means for albums like ‘Infinity.’
Why Are Artist Collaborations So Popular Now?
There’s a reason collabs are everywhere right now. Musicians and fans are both looking for fresh sounds and new energy. Here’s why the trend keeps growing:
Fans love surprises: New voices keep things interesting, breaking up the album with unique blends and unexpected duets.
Artists reach new audiences: Each guest brings their own fans, pulling in listeners who may not have checked out the band otherwise.
More creative fuel: A featured artist can spark new ideas, helping the group break out of old patterns.
Marketing boost: Collabs give an extra push for streams and social buzz thanks to the overlap in fanbases.
For Gabel, bringing on names like Vanessa Desire, Roberto Martino, and others isn’t just about making good music. It’s also about showing they can hang with respected artists and tap into new crowds.
The Benefits (and Limits) of Frequent Features
Having guest artists throughout an album can breathe life into the music. On ‘Infinity,’ the features do a good job of making each track feel fresh. When it works, a collaboration can:
Add new styles and textures that the main band might not try on their own
Make the album feel more like a community event, with different voices and stories
Highlight the band’s flexibility and their willingness to try something different
But there’s a flip side:
Risk of losing the core band vibe: If half the album is features, it can start to sound less like Gabel and more like a mix-tape.
Fans crave the original lineup: Longtime listeners may feel disappointed if there’s not enough of the main singers.
Potential for inconsistency: With so many voices, the album can lose its flow and feel less cohesive.
Even the strongest features can’t fully replace the voice and identity that built the band’s fanbase from day one.
The Impact on Gabel’s ‘Infinity’ Album
Looking at ‘Infinity,’ the guest list is almost a who’s who of current Haitian music. Seven out of thirteen tracks include a featured guest. That’s a bold move and speaks to Gabel’s desire to make waves. The features deliver, and from a talent standpoint, nobody can complain—the guest performances are strong, and each one brings a little extra to the table.
But some fans may hear this album and wish for more of Gabel’s own style, more songs where the band stands front and center. When the scales tip too far toward collaborations, even a great album can start to feel less personal for longtime listeners. The group risks sounding more like hosts than headliners.
Longtime Fans vs. The New Approach
For newer fans, collaborations show Gabel can keep up with what’s hot. They help the band stay current and draw attention in a crowded industry. But for those who have followed Gabel for years, it’s easy to see how the heavy use of features could leave people asking, “Where’s the band I came for?”
Music is personal. Many fans develop a connection to the core band or singer, wanting the album to feel like an authentic statement—not a compilation. When nearly every other track brings in a new voice, that feeling can fade.
In summary:
Collaboration is a smart way to reach new ears and bring excitement, but too many features can blur a band’s identity.
‘Infinity’ delivers solid performances from all its guests, but Gabel walks a fine line between showing range and giving their die-hard listeners what they came for.
Finding balance between experimenting and sticking to what works best is key, especially for a group building its legacy.
With seven out of thirteen songs featuring guest artists, ‘Infinity’ rides the fine line between a band album and a showcase of top talent. It’s exciting, no doubt, but it leaves some long-time Gabel fans asking whether the group’s spirit survives all the star power. Does the heart of Gabel beat strong through the many features, or do the collaborations drown it out?
Here’s a closer look at how these choices shape the album’s identity and whether ‘Infinity’ still feels like a Gabel project at its core.
Fans of Gabel know what they want: those tight hooks, catchy choruses, and that distinct energy only the group brings. When you press play, you expect a mix of emotion and groove that carries Gabel’s voice, attitude, and point of view. The band’s best tracks usually put their own singers front and center, letting listeners pick up on the chemistry that drew them in years ago.
But with so many guests, the group shares the mic more often than usual.
Original band chemistry competes with outside personalities
Some songs sound like classic Gabel, others like new collaborations
The group’s signature flavor sometimes takes a backseat
Longtime fans may start to miss those moments where they hear only Gabel, undiluted.
There’s a lot to love about strong collaborations. Inviting respected artists can lift a song and spark creativity. On ‘Infinity,’ the features bring distinct styles—Vanessa Desire, Roberto Martino, and others step in and deliver. Each brings a new color to the mix, which can be energizing.
But looking at the album from start to finish:
A little over half the songs highlight guest stars as much as Gabel
Shifts in style and vocal tone make parts of the album feel less steady
It sometimes feels like Gabel is the host, not always the star
This isn’t a bad thing if you want variety. But if you’re hunting for that pure Gabel sound, it’s easier to lose track of who’s actually calling the shots.
Mixing Identity With Star Power
The tough part is keeping Gabel’s voice clear through all the extra voices. For the first few tracks, the blend looks balanced. There’s no denying the band can hold its own on songs like “Moun Dous” or “Selebrite.” On those tracks, it’s all Gabel: front and center, familiar, and confident.
On the other hand, some feature-heavy tracks lean hard into the guest’s influence. “Ayisyen Pou'n ta ye,” for example, has such a strong mix of personalities that the band steps into more of a supporting role. This shift in focus shakes up what usually feels like a steady drive from the group. The more you move through ‘Infinity,’ the more you notice the album feeling less like “just Gabel.”
Still, no song is a total departure. Gabel’s touch anchors each track somewhere in the chorus, hook, or groove—even if it’s sometimes softer than fans expect.
Does ‘Infinity’ Still Belong to Gabel?
With so much collaboration baked in, does the album still feel like Gabel? The answer depends on what you want from them.
If you love to hear new voices and fresh chemistry, ‘Infinity’ is a fun listen. It bounces between different moods and genres, never getting stuck in one place.
If you came for pure Gabel, you’ll find that only in a handful of songs. The rest feel more like group efforts than core band statements.
Still, Gabel’s DNA isn’t lost. You can hear it in the arrangements, the hooks, and the tiny tweaks that keep the album moving. Their musical choices, songwriting style, and energy still guide each track, even when they’re sharing the stage. While ‘Infinity’ sometimes feels like a celebration of talent across the Haitian music scene, there’s enough of Gabel’s core left that the album never forgets where it came from.
Key points to remember:
The album offers a mix of Gabel’s original style and a parade of guest features
Band identity is strongest when the core group leads the track
Too many features can distract, but Gabel’s stamp is still present throughout
For fans, the balance isn’t perfect, but the band’s identity survives—even if it’s tested by all the guest appearances.
Standout Performances and Best Tracks
‘Infinity’ leaves a clear mark on Gabel’s catalog by blending star features and pure band moments. What really sets this album apart are the guest performances sprinkled across it, the few songs where Gabel cuts through with their old-school vibe, and some top-tier tracks that every listener should check out first.
Featured Artists Who Made an Impact
Several big names showed up for ‘Infinity’, each adding their own twist and helping the album stand out. Here’s how these artists made a difference:
Vanessa Desire brings a velvet touch to “Kle Paradi.” Her delivery is both smooth and dynamic, lifting the chorus while letting the main group’s groove shine underneath. She brings out a softer side to Gabel without making the song feel like a departure.
Roberto Martino and Shabba light up “Ayisyen Pou’n ta ye.” Roberto’s deft guitar work pairs with Shabba’s energy, giving the track an anthem vibe. Both guests elevate the song, making it larger-than-life and brimming with Haitian pride.
Saskya adds power to “Gwo Lo.” Her vocals soar, transforming a standard collab into a highlight of the album. She matches Gabel’s energy, making the feature feel earned, not forced.
Mellysings flavors “Let me” with soft R&B notes. This pairing results in a feel-good groove and a mellow, late-night feel, showing Gabel can flex styles with the right guest.
Cubano delivers on “Demisyon.” His back-and-forth with Gabel’s lead vocals gives the song a punchy, relatable mood. The collaboration feels honest and unfiltered—a solid match.
Steve J Bryan closes the album with “We wa we’m,” adding depth and a modern touch. The ending is memorable, and Bryan’s contribution feels organic alongside Gabel.
Each featured artist brings their best, and while some tracks risk overshadowing the main band, these guests mostly succeed in adding fresh layers to the album.
The Original Gabel Sound Moments
While ‘Infinity’ banks on star power, there are clear moments where Gabel’s classic sound returns. These tracks feel familiar, like catching up with an old friend.
The strongest Gabel-centric songs include:
“Moun Dous”: The opener and a clear reminder of the group’s signature style. The catchy hook and drums ground the album’s tone, appealing to die-hard fans.
“Selebrite”: Pure Gabel. From the energetic beat to the tight chorus, it captures everything longtime listeners love. The production feels updated, but never loses the band’s touch.
“Dieu seul me voit”: A deep cut showcasing Gabel’s emotion-driven songwriting. The vocals are clear, the melody heartfelt, and it lets the core band breathe between star-studded tracks.
“Revanj”: This is Gabel raw and direct. The song is tough, with lyrics that cut through, showing the group at their most focused.
“Hello”: A lighter moment but all heart, relying on the core band to deliver simple, catchy joy.
These tracks offer the authenticity and chemistry fans have always expected. While the features win headlines, these songs prove Gabel’s identity is still very much alive in ‘Infinity.’
Top Tracks: What Should Listeners Not Miss?
With 13 songs to sort through, some might want to cherry-pick the best. Here are the tracks you shouldn’t skip—whether you’re a new listener or just short on time:
“Moun Dous”
The best entry point for anyone wanting to hear Gabel’s roots and what they do best.
“Ayisyen Pou’n ta ye” (featuring Roberto Martino & Shabba)
A modern Haitian anthem, packed with energy and pride.
“Selebrite”
Danceable, memorable, and a showcase of the tight band chemistry.
“Gwo Lo” (featuring Saskya)
The collab that fires on all cylinders, both voices shining strong.
“Revanj”
Loaded with attitude, delivering strong lyrics and emotion.
“Let me” (featuring Mellysings)
A smoother, R&B-laced track that sets itself apart from the pack.
Each of these stands out for either their vocal performances, musical hooks, or pure fun. Whether you want Gabel’s original flavor or a taste of how they blend with featured voices, these tracks make the strongest case for spinning ‘Infinity’ from start to finish.
‘Infinity’ marks a real return for Gabel, letting listeners hear the band stretch their sound and reach wider audiences. The guest list is impressive, and every feature brings energy, style and fresh talent. Still, longtime fans might find themselves wishing for more of those pure, familiar Gabel moments that made them fans in the first place.
If you love collaborations and new voices, this album will feel like one party after another. If you’re a Gabel loyalist craving those classic hooks and chemistry, you’ll find them, but you may have to skip a track or two. For new listeners, ‘Infinity’ gives a strong entry point to both Gabel’s music and the Haitian music scene’s current stars—there’s plenty to enjoy without deep knowledge of the group’s older work. After some quiet years, Gabel has landed back on the scene with something bold and full of variety.
Drop a comment with your favorite song or who you think stole the show. Welcome back, Gabel—you’ve given fans plenty to talk about.
I report, you decide



































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