L won “Welcome” Album Release Review (A New Haitian Band Debut That Hits Different)

By Hasitianbeatz

What does it take to launch a new Haitian band when so many people are just trying to get through the week?

L won answers that question with “Welcome”, a 9-track debut that feels bigger than a simple album drop because it comes from a full band that’s already performing in Haiti. In December 2025, that detail matters. Rehearsals, travel, and even a basic night out can feel uncertain, yet this group still showed up with songs made for real stages and real crowds.

This review gives you a quick sound check, track-by-track highlights, the best songs to start with, and why HMI fans in Haiti and the diaspora are reacting so strongly.

Why “Welcome” feels like a big moment for Haitian music right now

Haitian music has never depended on perfect conditions, but the current reality raises the bar for everyone. When security is shaky, nightlife shrinks. Promoters take fewer risks, venues run fewer events, and bands can’t always move freely to practice or perform.

That’s why a Haitian band debut that’s already getting attention feels rare right now. “Welcome” doesn’t sound like a project made in hiding. It sounds like a group that expects to see fans face-to-face, even when that’s hard to promise.

Not just a release, a real band already playing live in Haiti

A lot of albums sound great through headphones, then fall apart on stage. “Welcome” gives the opposite feeling. The arrangements feel tight and “live-ready,” like the songs were shaped by practice-room repetition and crowd feedback, not just studio polish.

The fact that L won has already started performing in Haiti changes how you hear the record. You can picture where the sing-along parts land, where the band can stretch out a groove, and where the audience will respond without being asked.

Why fans in Haiti and the diaspora are paying attention

Two groups are driving the buzz.

Local listeners want something that feels present, not distant. When daily life is heavy, a new band can feel like proof that culture is still moving. That matters.

Diaspora listeners want a strong line back home. Music does that fast. A track shared in a group chat can travel from Port-au-Prince to Miami in minutes, and “Welcome” has the kind of hooks that make people hit replay, then hit share. The album has been well received across both sides, and the word-of-mouth energy feels real.

The sound and vibe: what “Welcome” does well (and what could be better)

“Welcome” plays like a band introducing itself in public, not a solo act building a brand. The vocals stay front and center, and the band chemistry carries the record more than any single trick. The songwriting focuses on emotion and connection, with enough bounce to keep it moving.

Across 9 tracks, the pacing mostly works. The replay value comes from how often the songs feel built to perform, not just to stream.

If you like romantic songs, danceable grooves, and that feeling of a live band locking in, this album fits.

Strong points: melodies, emotion, and songs built for the stage

The best thing here is melody. Several choruses stick after one listen, which is harder than it sounds. The emotions also read clearly, whether the mood is sweet, tense, or proud.

The band also sounds together. Even when a track is calm, it doesn’t feel empty. You get the sense that every song has a place in a set list, with moments that can pull cheers from the crowd.

Small misses: pacing, risks, or any moments that feel safe

A couple tracks can blend together on a first run, mostly when the tempos and moods sit too close. It’s not a major flaw, but it can soften the “surprise” factor in the middle.

There are also moments where the band could take a bigger swing, maybe with a sharper switch-up or a bolder bridge. The good news is that the foundation is strong, so pushing further on the next release could pay off fast.

Track by track review: highlights from all 9 songs

The album is listed with the tracks as: 1- Resanti, 2- Paradi, 3- Misyon’m, 4- Ou vini, M’pè renmen (feat Toby) 6- Ti manmi, 7- Kole sou mwen, 8- Toutouni, 9- Lè pou’m bèl. The numbering skips “5,” but the listening experience still feels like a full 9-song statement.

Resanti, Paradi, Misyon’m: the album’s first impression and early tone

Resanti sets the tone with a warm, emotional mood. The best moment is its hook, it feels like the kind of chorus a crowd can carry. It fits best as a live show opener or early-set statement.

Paradi leans more dreamy and light, like a breather that still keeps the rhythm moving. The groove is the standout, it invites head-nods and slow dancing. It could land well on radio because it doesn’t ask too much from the listener.

Misyon’m brings a more driven energy and sounds like purpose. The best moment is when the song tightens into a confident chorus. It feels built for the stage, especially when the band wants to raise the room’s energy.

If one track feels like the strongest opener, it’s Resanti, because it’s direct and easy to hold onto.

Ou vini and M’pè renmen (feat Toby): the emotional center and the feature moment

Ou vini feels like a turning point, more focused and intimate. The best moment is the way the vocals guide the mood, it’s the kind of track that makes people listen closer. It fits late-night listening, or the quiet part of a live set when phones come out.

M’pè renmen (feat Toby) is the album’s feature moment, and it earns its spot. Toby adds contrast and extra energy, giving the track a back-and-forth feel that keeps it lively. The best moment is when both voices make the chorus feel bigger, it’s a natural fit within the album’s sound, not a feature that feels pasted on.

Ti manmi, Kole sou mwen, Toutouni, Lè pou’m bèl: the late run that decides replay value

Ti manmi brings a tender, familiar feeling, like a song meant for real people, not just playlists. The best moment is its sweet, steady hook. It fits family parties and community events where everyone sings the simple parts.

Kole sou mwen turns up the closeness and the movement. The groove is the best moment, it feels designed for dancing in a tight space. This one should hit hardest live, where the band can stretch the rhythm and let the crowd answer back.

Toutouni has a bolder edge in its mood, more playful and direct. The best moment is the chorus, it lands like a line people will quote. It fits party settings and that mid-set stretch when the band wants pure reaction.

Lè pou’m bèl feels like a closer because it carries a sense of arrival. The best moment is the way it leaves you with a confident mood, like a final statement before the lights come up. It ends the album on a strong note, calm but sure of itself.

Best songs to start with and final verdict: should you listen to “Welcome”?

If you’re new to L won, start with three entry points based on mood:

• Best first listen: Ti manmi (clear hook, strong identity)

• Best for a party: Kole sou mwen (built for bodies in motion)

• Best for a chill night: Ou vini (more intimate, more reflective)

Verdict: 4 out of 5 stars. “Welcome” feels like a band that already knows how to connect, and that’s the hardest part to fake. If you like live band energy, romantic grooves, and Haitian vibes that feel grounded, you’ll have a good time here.

What to watch next is simple: more live shows in Haiti, more visuals, and the way this debut can grow from “buzz” into a real movement.

“Welcome” stands out because it sounds like a band with a plan, showing up in Haiti when it’s hardest to do so. The songs are catchy, the emotions are clear, and the live energy is easy to picture even through speakers. Timing matters too, and this release meets a real hunger across Haiti and the diaspora.

Press play, then come back and share your favorite track and where you’re listening from, Haiti or abroad.